And how could I judge The Doors of Perception
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I was seeing what Adam had seen on the morning of his creation—the miracle, moment by moment, of naked existence.
“Is it agreeable?” somebody asked. (During this part of the experiment, all conversations were recorded on a dictating machine, and it has been possible for me to refresh my memory of what was said.)
“Neither agreeable nor disagreeable,” I answered. “It just is.”
Istigkeit—wasn’t that the word Meister Eckhart liked to use? “Is-ness.” The Being of Platonic philosophy—except that Plato seems to have made the enormous, the grotesque mistake of separating Being from becoming and identifying it with the mathematical abstraction of the Idea. He could never, poor fellow, have seen a bunch of flowers shining with their own inner light and all but quivering under the pressure of the significance with which they were charged; could never have perceived that what rose and iris and carnation so intensely signified was nothing more, and nothing less, than what they were—a transience that was yet eternal life, a perpetual perishing that was at the same time pure Being, a bundle of minute, unique particulars in which, by some unspeakable and yet self-evident paradox, was to be seen the divine source of all existence.
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Far out ... I know.
The Doors is not so much a book as an extended essay, which was coupled in my edition with Heaven and Hell, another extended essay, both of which treat the subject of the expanded psychological states that may be induced by the taking of mescaline. Mescaline, for the uninitiated, is the active ingredient in peyote and several other species of other hallucinogenic cacti. The Doors is essentially a chronology of events as understood and recorded by Huxley after having ingested mescaline at his home in West Hollywood in 1952. Heaven and Hell explores the cultural development of views of the afterlife as potentially influenced by drug-induced visions around the world.
Actually, the essays are surprisingly enjoyable and not just in the hippie burnout way that I’ve presented them here. As anyone who has read Brave New World
Now who can argue with that?
There is something peculiar and wonderful about drug-induced literature, isn't there? Fascinating stuff. Now to get my hands on some peyote. Just kidding, just kidding.
ReplyDeleteThanks, IngridLola. I do seem to have a fascination with it, at least the more moderate, mainstream works, especially Kerouac and Kesey (and I'll throw Tom Wolfe's Electric Kool-Aid Acid Test in there as a Kesey bio). I've read Naked Lunch and Fear and Loathing as well, but they don't really seem to strike a chord with me. Maybe those require a special "mindset" for true appreciation. But Huxley reads like a classic, even if the subject matter is a little off.
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