For native gringos, like myself, who occasionally stray into Spanish-language fiction, I think Mario Vargas Llosa is by far the most accessible of the Latin American fiction writers. This is true for two reasons: first, for his straightforward prose (though calling him Hemingway-esque is probably unfair to both), and, second, for the tasty themes that Vargas Llosa chooses to treat, which are usually some combination of military and sexual. For anyone who has struggled to read Gabriel Garcia Marquez or Miguel Angel Asturias in Spanish (and I love them both), Vargas Llosa is quite a relief both in terms of complexity and humor. But back to the theme—it is the development and introduction of an efficient prostitution ring into the Peruvian military that provides the back story in Pantaleon y Las Visitadoras
Pantaleón y Las Visitadoras is perhaps my favorite of Vargas Llosa’s works, though I am also partial to La Ciudad y Los Perros
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